Jumat, 25 Mei 2018

Download PDF This Long Pursuit: Reflections of a Romantic Biographer, by Richard Holmes

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This Long Pursuit: Reflections of a Romantic Biographer, by Richard Holmes

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This Long Pursuit: Reflections of a Romantic Biographer, by Richard Holmes

Review

“[Holmes] is temperamentally well suited to the Romantic age. He does not so much write lives as haunt them; he seems to invade his subject’s dreams. Moonlight glints off his pages. Certainly no one has made the practice of biography sound so appealing….He does for biography what Cheryl Strayed did for the Pacific Crest Trail.” —Stacy Schiff, The New York Times Book Review“Elegant….Nobody has thought longer or harder about the nature of biography as a literary form than Richard Holmes….This Long Pursuit can stand either as an introduction to his full-length works or as a reminder of what makes them so compelling.” —Michael Gorra, Wall Street Journal“Subtly personal….The “Footsteps principle” allows the narrative to build on clearly visualized scenes, even as the overall tone is that of intimate, civilized conversation. Above all, Holmes never comes across as stiff or stuffy, but rather, at 71, almost boyishly eager to share his delight in the surprising vagaries of a human life or the odd factoids of history….This Long Pursuit offers an abundance of literary entertainment and instruction.”—Michael Dirda, Washington Post“Riveting…. The author’s focus remains sharp throughout, as he sketches his individuals’ lives, discusses the published biographies of them (from the earliest to the latest), and reveals his theories and beliefs about the writing of biography, beliefs that he has used to develop graduate courses in biography….Throughout, he manifests the patience and the persistence to do right by his subjects. Unparalleled research, transparent prose, and wide eyes can serve as a model for other biographers—indeed, for all other writers.” —Kirkus Reviews *starred review*“An accessible account of the biographer’s craft as well as a delightful portrait gallery of fascinating figures.”—Library Journal“Among modern biographers, I can think of few rivals to Richard Holmes, especially among those who write about the Romantic era….Few biographers have dwelled as explicitly on their writing experiences as Holmes, and I’m grateful to him….This Long Pursuit may be seen as a continuation of this writer’s ‘search for truth,’ and it shimmers with odd revelations that…often seem indispensable.”—Jay Parini, The American Scholar“In the tradition of most successful historians and biographers, Holmes seems to achieve this intimacy with the past by immersing himself, trance-like, within a given terrain, with every brick or rock or tree a talisman tugging him deeper and deeper into the immense well of human experience…. Holmes’s style pleasingly resembles that of his fellow Englishman, the late neurologist Oliver Sacks. Like that celebrated man of letters, Holmes comes across as contagiously curious, casually erudite, and just a bit daft…. In spending so much of his life chronicling the lives of poets, he has, to the delight of his readers, become one.” —The Christian Science Monitor“For Holmes, empathy involves more than sympathy or intellectual grasp, but something akin to union. He decided early on that biography demanded that he “physically pursue his subject through the past,” putting himself in every place the subjects lived, visited, passed through, and even dreamed of, to recapture what they experienced…. In Holmes’s view, biography is a “an act of imaginative faith,” and I would say that it is not given to everyone to pull it off — the faculty is a rare one.”—Barnes and Noble Review“A must read . . . Intriguing and satisfying . . . All the sketches make illuminating reading, in many cases deliberately setting out to provoke a rethink of earlier biographies . . . I thoroughly enjoyed the book; indeed I devoured it.” —The Guardian“A glorious series of essays on the art of life writing and a worthy successor to Holmes’s earlier volumes on the craft, Footsteps and Sidetracks . . . Heaven for his fans [and] the best account imaginable for the richness of his form.” —The Observer“In This Long Pursuit, the 71-year-old Mr. Holmes is revisiting old heroes, bringing them and their milieu vividly to life. In the process he does a lot to illuminate the very nature of biography itself….This Long Pursuit also explores the lives of some of the inevitably less familiar women writers and scientists who shaped this era in surprising ways….Mr. Holmes writes with insight about how women navigated the societies in which they lived and wrote.”—The Economist“I am a Richard Holmes addict . . . Only Holmes, who is so deeply versed in the people and culture of eighteenth-century science, could tell these stories with such verve and resonance from our own time.” —Oliver Sacks

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About the Author

RICHARD HOLMES is the author of The Age of Wonder, which won the Royal Society Prize for Science Books and the National Book Critics Circle Award, was short-listed for the Samuel Johnson Prize for Non-Fiction, and was one of The New York Times Book Review’s Best Books of the Year in 2009. His other books include Falling Upwards, Footsteps, Sidetracks, Shelley: The Pursuit (winner of the Somerset Maugham Prize), Coleridge: Early Visions (winner of the 1989 Whitbread Book of the Year Award), Coleridge: Darker Reflections (an NBCC finalist), and Dr. Johnson & Mr. Savage (winner of the James Tait Blake Prize). Holmes is an Honorary Fellow of Churchill College, Cambridge, and was awarded the OBE in 1992. He lives in Great Britain.

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Product details

Hardcover: 368 pages

Publisher: Pantheon (March 7, 2017)

Language: English

ISBN-10: 030737968X

ISBN-13: 978-0307379689

Product Dimensions:

6.4 x 1.3 x 9.5 inches

Shipping Weight: 1.7 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#379,893 in Books (See Top 100 in Books)

What an extraordinary observer, writer, and biographer is Richard Holmes, author of "This Long Pursuit: Reflections of a Romantic Biographer." In 1964, as an 18-year-old, he took himself off to south-central France to learn more about Robert Louis Stevenson, who, seeking better health, had relocated to France for several years in the 1870s. Even without formal academic training, Holmes quickly hit upon two valuable methods for studying the lives of others. The first was to walk in the footsteps and moccasins of his subjects, and the second to keep meticulous notebooks with pages divided into columns to sort out facts from personal assessments. In 2000, decades after launching this freelance approach to biography, the by-now-celebrated Holmes was asked to teach a postgraduate course on the discipline of biography. After several years teaching, this volume was, it might be said, destined to be a meditative reflection on a notable career."This Long Pursuit" is divided into three sections of fairly equal length. The first puts Holmes's career into perspective, offers lessons on the art of biography including his celebration of how science and literature often cross-pollinated each other, and presents ten commandments for writing lives. I must confess to treasuring in particular this section, as most of my career at the CIA involved the biographic assessment of foreign leaders. Section two, titled "Restorations," has Holmes examining five women: Margaret Cavendish, Zelide, Madame de Stael, Mary Wollstonecraft, and Mary Sommerville. Section three, "Afterlives," focuses on five men (Keats, Shelley, Thomas Lawrence, Coleridge, and Blake), dwelling on the issue of how assessments of the famous can change over time.

Richard Holmes writes wonderful biographical material. This book of musings on the craft of writing biography inspired me to read his Age of Wonder, which I also loved. I tried his biography of Shelley, but found it too detailed and frankly boring.

A wonderful book. Mr. Holmes undertakes a hero's quest to the Romantic Era and brings back much to enlighten and delight his readers.

excellent book. Aeeived in perfect shape

I'm only half way through so far, but this book is awesome. Incredible depth of knowledge on the topic and a fun quick pace of writing.

Classic essays

This is the second of his books I've read. Since he and I are almost the same age, I believe I read his first or second when it came out. I liked it as I vaguely recall, but I've matured; I love this book. It's the best kind of book because it leads you on to many, many others. I have ordered at least 4 or 5 books relating to people he discusses or literary or scientific matters he treats, and I think even one travel book. I'm also charmed by Sir Richard putting himself in the book, discussing what biography and some of his subject mean to him. It's a much more personal approach. I recommended it to a friend for his reading group because the issues, people, ideas and events discussed are endlessly fascinating and eternally debatable.

The observation by Erasmus probably indicates Richard Holmes's own priorities when in school and at university. His love of great literature and those who create it is almost palpable.While explaining “how the Romantic generation discovered the beauty and terror of science,” in The Age of Wonder, Holmes focuses on what “became the first great age of the public scientific lecture, the laboratory demonstration and the introductory textbook, often written by women. It was the age when science began to be taught to children, and the `experimental method' became the basis of a new, secular philosophy of life, in which the infinite wonders of Creation (whether divine or not) were increasingly valued for their own sake…Finally, it was the age which challenged the elite monopoly of the Royal Society, and saw the foundation of scores of new scientific institutions, mechanics institutes and 'philosophical' societies.'"What we have in This Long Pursuit is also a work of rigorous and eloquent reflections shared by the same Romantic biographer, with his focus on “the meeting of two great modes of human discovery — imaginative literature and science — [that] has become one of the most urgent subjects for modern biography to study and understand. I believe this is particularly so in both Britain and America. You could say that if our world is to be saved, we must understand it both scientifically and imaginatively.” Biography “is ‘a handshake.’ A handshake across time, but also across cultures, across beliefs, across disciplines, across genders, and across ways of life. It is a simple act of complex friendship.” I certainly view Holmes as a friend, one whose brilliant work is a welcome “handshake” of mutual respect.It has always seemed to Holmes that “the essential spirit of biography – of English biography at least – has been a maverick and unacademic one.” It comes as no surprise, therefore, that many (if not most) of of his subjects in recent books have been outliers. Much of the most interesting and innovative as well as exciting work biography “has been done outside the establish institutes of learning, and beyond the groves of academe.”These are among the major figures on whom he focuses, listed in alpha order: William Blake, Fanny Brawne, Lord Byron, Mary Cavendish, Samuel Taylor Coleridge, Germaine de Staël, Elizabeth Farren, William Godwin, John Keats, Thomas Lawrence, Ada Lovelace, Samuel Pepys, Percy Shelley, Mary Somerville, Isabelle van Tuyll (Zelide), and Mary Wollstonecraft.There are several reasons why Holmes is one of my favorite historians. Here’s one. Great historians write books that are, for me, “magic carpets” that enable me to travel far beyond my world to ancient Greece or Bunker Hill or Victorian London or...almost anywhere and at any time, really. I feel like I am tagging along with him as we explore together the given portion of the past. Later, once I have finished reading one of his books, I am again reminded of this passage in T.S. Eliot’s Four Quartets: "We shall not cease from exploration, and the end of all our exploring will be to arrive where we started and know the place for the first time."Thank you, Richard Holmes, for expanding my world and enriching my understanding of it.

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Selasa, 15 Mei 2018

PDF Ebook Anyone Can Arts...DRAWING MAGIC Guidebook 1

PDF Ebook Anyone Can Arts...DRAWING MAGIC Guidebook 1

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Anyone Can Arts...DRAWING MAGIC Guidebook 1

About the Author

Accomplished fine artist, graphic designer, lecturer and instructor with over thirty-five years of excellent teaching experience, Peter Kraus is the founder of the ANYONE CAN...ARTS and the author of the Drawing Magic series of books. In addition to his dedication to Anyone Can...Arts, Peter Kraus is also an eminent instructor in a Los Angeles Community College. Highly proficient with multi medias and styles, Peter’s aim is to bring out the expressive quality of each student. His unique teaching approach is remarkably successful with not only the artistically inclined, but also the artistically challenged, special needs children and adults, senior citizens and at-risk-youth. Proven correct time and again, his conviction that DRAWING SKILL CAN BE LEARNED is the heart of his ANYONE CAN...ARTS philosophy. "When we are growing up, we are taught that a small percentage of people have the ability to draw well, but I'm convinced the opposite is true," confides Peter. While studying psychology, he questioned why some people have the talent to draw well and others don't. Something inside told him it was more than talent and his investigations led him to conclude people were not only not getting the right encouragement, but they were also getting instruction based on faulty premises. Schools teach that art comes from "intuition" and it simply flows from us. If a child isn't showing any artistic instincts from the get go, he never will. Peter doesn't deny the existence of artistically gifted individuals, but he believes drawing should be taught analytically as a skill. Instead of using the historically great artists as absolute models, our learning should start from the basics and evolve step-by-step at one's individual pace. This method gives the student a fair chance to discover he or she can actually draw well and do something with the skill. In fact, Peter prefers to look at drawing as functional and we can use it any way we want.

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Product details

Paperback: 258 pages

Publisher: CreateSpace Independent Publishing Platform (November 5, 2011)

Language: English

ISBN-10: 1466459492

ISBN-13: 978-1466459496

Product Dimensions:

8.5 x 0.6 x 11 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

16 customer reviews

Amazon Best Sellers Rank:

#960,054 in Books (See Top 100 in Books)

Step by step instructions, easy to follow and learn from. You will learn the basics quickly and surprise yourself at what you can create with this book. A great starting point for the person who says they can't draw.

All of his books are so well written. He guides you step by step how to comprehend what you actually see and how to transfer it on the canvas.

WIfe loves this guidebook after purchasing #2 drawing magic.

This exactly what I was looking for

Best book to learn to draw anything. Love it.

Attention- please see the review I just wrote. It was intended for Guidebook 1 one Not Guidebook 2. Please correct. Thank you.

Peter give very basic, but complete instruction. It's a beginner book.

One of the easiest drawing book to follow both for beginners and for review of basics.Highly recommended(Also see Drawing Magic Book Two)Professor Krause goes into detail and excellent illustrations repetitive enough to remember drawing rules and methods.SS

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Selasa, 08 Mei 2018

Download Practical Ruby Projects: Ideas for the Eclectic Programmer (Books for Professionals by Professionals)

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Practical Ruby Projects: Ideas for the Eclectic Programmer (Books for Professionals by Professionals)

About the Author

Topher Cyll is a software engineer and writer living in Cambridge, Massachusetts. He received his bachelor's degree in computer science from Williams College and works for a small Boston-area startup. In reverse alphabetical order, he finds programming languages, music, free software, education, bioengineering, and beer terribly exciting. Topher loves Ruby not only for the language itself, but also the light-hearted and intellectually curious community that surrounds it.

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Product details

Series: Books for Professionals by Professionals

Paperback: 328 pages

Publisher: Apress; 1st ed. edition (December 18, 2007)

Language: English

ISBN-10: 159059911X

ISBN-13: 978-1590599112

Product Dimensions:

7 x 0.7 x 9.2 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

3.7 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#864,210 in Books (See Top 100 in Books)

I was less than impressed with this book. Little explanation for alot of the concepts. The explanations seem very all over the place and out of order. Also (and this is 100% opinion) alot of the way he programmed seemed to go counter to the "best practices" I've been reading about.

This is one of the rare technical books, that's actually quite fun to read. Additionally, all except the last two chapters can be read out of turn. I think this is an excellent book. Take the time and get excited by taking a fresh look at ruby.

The past few years have seen the English-language Ruby book market explode. Before the phenomenal success of Rails it was perfectly possible to own every available title (and not use much storage space), but now that would be quite a challenge and lead to considerable redundancy. Having worked my way through quite a few Rails books of late, reading Practical Ruby Projects--a Ruby book that doesn't even mention web frameworks--was both a pleasant diversion and a highly illuminating experience.Like the last volume I reviewed (Pro JavaScript Design Patterns), this book is unabashedly aimed at experienced programmers. There's a brief paragraph on "getting set up", but no detailed guide to obtaining the tools. Instead we dive right in to a sequence of projects that includes: making music (dipping into calling C code from ruby), animation, simulation, building a strategy game (and adding a RubyCocoa frontend), genetic algorithms, and even implementing lisp and parsers. Once again the "apress roadmap," a diagram intended to show how the skillsets in their different volumes build on one another, is misleading pitching this between "Beginning Ruby" and other volumes I've reviewed like Practical Ruby for System Administration and Pro Active Record. Don't believe it. Though there's little overlap in the material, this is a more advanced volume than either of those and readers should be prepared.The pace of the book is measured and Topher Cyll does a good job of gradually building up the projects a step at a time. Along the way a variety of practices are demonstrated with many methods stubbed out for demonstration purposes before being filled in when they are needed, and considerable time spent on decoupling code. That latter piece is particularly in evidence in the chapters on building a turn-based strategy game and then developing a RubyCocoa front-end. Despite careful design early on further refactoring is needed to make it easy to apply the front-end and that process is carefully worked through.Most of the book makes some use of existing libraries. The initial lisp chapter uses the sexp library and the subsequent section on writing a parse relies on rparsec. For the most part, however, use of the libraries is kept to a minimum, allowing for fairly self-contained code. Unit testing is largely ignored until the last chapter, where the need for tests when constructing a grammar/parser is explained and a test-first development model is encouraged. That works well to demonstrate the power of tests for complex (and often brittle) code.This is not a book designed for public transport reading. Working through chapters on the bus I frequently found myself wanting to reach for my laptop to get a better grasp of how a piece of code worked. While the explanation is generally very good, with material of this complexity there is nothing like running the code and tweaking it to make sure you've understood exactly what each transformation does. It's a book to take your time over, so be prepared!A few editorial errors have crept in, suggesting a re-organisation of the contents late in the day. In particular an early reference to s-expressions seemed to presume that the lisp and/or parsing chapters were featured early. That's not a big deal and will hopefully be corrected in later printings; the author does encourage skipping around within the book, but there is value in working through it roughly in order, and not just for the two "paired" chapters that explicitly build on one another.Perhaps the most striking thing about this book is the reminder that even for those of us whose primary programming activity is web development, studying other areas can be extremely helpful. Not only is it helpful to see how other developers structure their code, but tools like genetic algorithms and parsers are likely to be very helpful where web applications require sophisticated processing and/or backend systems. And it never hurts to learn a little lisp. For the ruby developer who's comfortable with the language and wants to stretch out a little, this book would be an excellent investment.Disclaimer: I was sent a copy of this book for review by the publisher.

This is a great ruby book for those new to the language, or for those who already know a good deal of ruby but wouldn't mind learning how to do some cool quirky things with ruby, like programmatically compose and play midi. This book will not walk you through how to use ruby if you are new to the language -- but their are plenty of other books (and online references) that can do the real introductory teaching. Working through some of the projects in this book *will* help you really get comfortable with ruby, by putting it to practice in non-boilerplate ways.If you have more experience with Ruby, this book is still compelling. It walks through some nonstandard projects -- interesting projects on their own, and certainly the sort of projects that will get your mind working, and have you looking at the problem and the language in a new light.Throughout, care is taken with the writing -- the text isn't a boring technical manual, but is compelling and interesting, while packing in a lot of technical detail!

Most Ruby books milk newbies jumping on the bandwagon for cash. This is a book for experienced Ruby programmers who want to be awesome Ruby programmers. The book of the book is all about parsing and shows you how to implement Lisp in Ruby; the first project is a compact, simple, powerful system for creating music in real time in Ruby. I'm using it to drive Propellerhead Reason from the command line and I'm on page 25. This is an absolutely excellent book. The best Ruby book I've seen in years. The only Ruby book I'd recommend to experts. This is the bomb book.

The hands-on style of this book is contagious; you'll find yourself really wanting to jump in and try out the code samples. The source is available on Topher's site, but the simplicity and sense of immediacy are such that you may want to just start typing it in yourself. In a few minutes, you're making music or creating a game.

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